Post-Colonial Ceramics
By Patricia Samford and George L. Miller
Many new varieties of pottery were introduced to Maryland between the American Revolution and the late 19th century. The decorative techniques applied to these vessels can be used to distinguish the ceramic types, so this webpage is organized largely along those lines.
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Edged Wares:
Shell-edged, or more generically, edged wares dating between 1790 and 1860, are characterized
by molded rim motifs, usually painted under the glaze in blue or green
on refined earthenwares.
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Printed Wares:
Underglaze printing was first developed on English porcelain and
began in Staffordshire around 1783 (Shaw 1829:214). Transfer printing revolutionized the Staffordshire ceramic industry.
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Painted Wares:
Refined, white-bodied English earthenware dating between 1775 and 1870s, decorated with underglaze painted motifs, either in blue or combinations of colors based on colors used, styles of the painting, and vessel shapes.
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Dipped Wares:
Dipped earthenwares were produced between the 1770s and the end of the 19th century (Rickard 2006, Carpentier and Rickard 2001). Since these wares almost never have maker’s marks, they are difficult to date accurately.
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Sponge Wares:
Wares with sponge decoration have a long history in England going back to delftwares. Sponge decorated wares were produced using several techniques over the period from the 1820s to 1930s.
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Luster Wares:
Luster wares have a very hard, lustrous, metallic finish. Luster decoration has been used on earthenwares, stonewares and porcelain. The “peak of achievement” for lusterwares occurred around 1860, through the end of the 19th century.
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Less Commonly Found Wares:
Post-colonial wares and decorative types less commonly recovered on archaeological sites. The webpages included here will provide you with a general description of these ceramics, including cited sources that can be read for more in-depth information.
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White Granite:
The durable opaque stone china most commonly known as white ironstone (or white granite) was produced in England’s Staffordshire district and in the United States where it was most popular between 1840 and 1870.
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North American Stoneware:
North American stoneware is non-porous (vitrified) and stone-like. Paste color generally ranges from gray to tan to reddish browns, and vessels were produced by a variety of methods, including hand throwing, jigger or jolly machines, slip casting and press molding. |
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